Read Online African Art Pierre Meauze 9780881681796 Books
Read Online African Art Pierre Meauze 9780881681796 Books
Download As PDF : African Art Pierre Meauze 9780881681796 Books
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Read Online African Art Pierre Meauze 9780881681796 Books
"The exhibit book from Musée des Arts Africaine et Océaniers in Paris, 1968.
In 1968, did western eyes need an aesthetic brainwash to appreciate African art? The West's contact with Africa led to a total breakaway from conventional art (Picasso, Matisse, cubists, fauvists) and brought creative freedom. But the west wasn't trying to UNDERSTAND African art symbolically - simply adopt stylistic values.
Experts haven't agreed on the "meaning" of African art. This book presents the visual forms and reacts to the "undiminished power" of the objects. (12)
Masks go with the art of dance. Masks in museums are sterile and frigid.
Touches on the racial anxieties of the 60's: Negro contributions to Mediterranean cultures, presumed cross-cultural links (22)
Questions whether Islam is responsible for the diminishment of figural representation (16, 80). Increasingly secular items tribes moved from worship of gods/ancestors, to a feudal power in the tribal chief, to producing objects for the tourists. (Also goes for Native American art, p 18)
Offers a good history of Africa, art criticism, and processes:
Terra cotta
Wood
Stone
Bronze (lost wax)
Gold
Ivory
This book has GREAT writing - it was written by someone clearly excited about African art, pleased by it, full of wonder and joy. The sensory perceptions are described lovingly - often in terms of movement or music - good cross-sensual envelopment.
Color and black and white plates. The 75 or so color plates are full- page, while the black and whites may be full page or smaller.
Note: Nok to Ife is a 1000-year gap"
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Tags : African Art [Pierre Meauze] on . ,Pierre Meauze,African Art,Alpine Fine Arts Collection (UK),0881681792,Africa,Folk art
African Art Pierre Meauze 9780881681796 Books Reviews :
African Art Pierre Meauze 9780881681796 Books Reviews
- The exhibit book from Musée des Arts Africaine et Océaniers in Paris, 1968.
In 1968, did western eyes need an aesthetic brainwash to appreciate African art? The West's contact with Africa led to a total breakaway from conventional art (Picasso, Matisse, cubists, fauvists) and brought creative freedom. But the west wasn't trying to UNDERSTAND African art symbolically - simply adopt stylistic values.
Experts haven't agreed on the "meaning" of African art. This book presents the visual forms and reacts to the "undiminished power" of the objects. (12)
Masks go with the art of dance. Masks in museums are sterile and frigid.
Touches on the racial anxieties of the 60's Negro contributions to Mediterranean cultures, presumed cross-cultural links (22)
Questions whether Islam is responsible for the diminishment of figural representation (16, 80). Increasingly secular items tribes moved from worship of gods/ancestors, to a feudal power in the tribal chief, to producing objects for the tourists. (Also goes for Native American art, p 18)
Offers a good history of Africa, art criticism, and processes
Terra cotta
Wood
Stone
Bronze (lost wax)
Gold
Ivory
This book has GREAT writing - it was written by someone clearly excited about African art, pleased by it, full of wonder and joy. The sensory perceptions are described lovingly - often in terms of movement or music - good cross-sensual envelopment.
Color and black and white plates. The 75 or so color plates are full- page, while the black and whites may be full page or smaller.
Note Nok to Ife is a 1000-year gap
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